Kelly Gallagher offers teachers insight into this classroom issue, writing about one of his own experiences during his first year of teaching in his book, Teaching Adolescent Writers. Gallagher describes an assessment that he designed for students in which they were required to create a portfolio including writing pieces from all of their other classes. Unfortunately, he found that students had done no writing in their other classes. After reading about Gallagher's experience, I took some time to reflect on my own. How much writing did I do outside of English class in high school? Though I seem to remember doing more writing than is described by the students in Gallagher's district, I realized that writing was largely missing in a few of my science and social studies classes. Considering Gallagher's conclusions and reflecting on some of my own experiences, it seems more clear as to why even students writing at the college level are not performing to the standards that one would expect.
Gallagher provides many ideas and solutions for creating an environment in which writing is central for students. This focus on writing is meant not only to help students find success in school, but also into their college years and/or adult lives. One of my favorite pieces of Gallagher's advice is one that he borrowed from Donald Murray, which is to "teach the writer, not the writing (29). This statement reminded me of an idea which we focused on in History and Structure about not falling victim to "red pen syndrome." Even assigning an essay and grading it is not enough for students. In order to help students become good writers, we have to instruct them. Gallagher adds to this idea in chapter 4, writing that the formula for better writing is "lots of reading + exposure to intensive hands-on writing instruction" (75). I agree with him and was able to connect many of his statements regarding frequent readers with the ideas he stressed in Readicide.
In increasing the amount of writing that students do in a classroom, it is equally important to consider how to assess this type of assessment. In chapter 3, Gallagher advises teachers to be open with students about the grading policy and not to grade everything. As Gallagher writes, "Imagine being a painter and every time you try a new medium or new brush stroke technique someone looms over you with a grade book" (53).
Students do feel pressure when writing and knowing that they will be graded, especially during their first attempt. In an assignment for my Teaching Adolescent Literature course this semester, I interviewed my boyfriend's younger brother about his literacy habits. When we discussed his favorite and least favorite writing activities, he told me that he feels most confident during the drafting process because he does not have to fear judgment. Additionally, he shared with me that his favorite in-class writing activity is free writing for similar reasons. If students actually enjoy writing, why don't we let them? Though I believe that some writing does have to be formal and graded, I heartily agree with Gallagher in that students need an outlet to practice and perfect their writing skills before they are actually expected to perform.
Overall, I feel that I can really connect with many of Gallagher's ideas and that his methods are very usable. I do not want to be a teacher who assigns a pointless quiz, test, or activity just because I'm too lazy to grade it or create something meaningful. Writing definitely needs to be a part of this process, because in my mind there is no more efficient way to see what someone knows than to ask them to express it on paper in words.
